TESS
GRUENBERG






Tess Gruenberg (b.1994, NYC) is a writer and creative strategist. Her editorial pieces have appeared in leading culture magazines such as Flaunt, Dazed, Beauty Papers, and OFFAL.  From 2018 to 2021, she served as assistant editor at the award-winning resistance magazine Good Trouble, where she authored and edited over thirty features spanning print and digital.

In her creative copywriting, Tess partners with ethical brands across fashion, home goods, and hospitality — specializing in web content, advertising copy, newsletters, social media, and core brand messaging. Her client portfolio includes luxury outerwear brand MACKAGE, sustainable design retailer abc carpet & home, small-batch denim designer Olga Basha, and agrotourismo project éla! farm + kitchen in Patmos, Greece, where she acts as the co-owner and creative director.



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TESS GRUENBERG                        Instagram / Email

Tess Gruenberg (b.1994, NYC) is a writer and creative strategist. Her editorial pieces have appeared in leading culture magazines such as Flaunt, Dazed, Beauty Papers, and OFFAL.  From 2018 to 2021, she served as assistant editor at the award-winning resistance magazine Good Trouble, where she authored and edited over thirty features spanning print and digital.

In her creative copywriting, Tess partners with ethical brands across fashion, home goods, and hospitality — specializing in web content, advertising copy, newsletters, social media, and core brand messaging. Her client portfolio includes luxury outerwear brand MACKAGE, sustainable design retailer abc carpet & home, small-batch denim designer Olga Basha, and agrotourismo project éla! farm + kitchen in Patmos, Greece, where she acts as the co-owner and creative director.


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©TESS GRUENBERG 2023



PROFILE


“Wild Spring: A Conversation with Barry Yusufu”
Flaunt Magazine, September 2022

“As I spoke to Barry, I decided that I was right. He is a person of spring. He evolves on his own terms and stubbornly shrugs off the expectations thrown at him as an artist. “When you look at my works, you're going to see that there is an infinite process. There is never a place in time.” It’s the tragedy of a flower. The language of his art is vibrant and paradoxical, all bathed in wild color.

“I feel what makes a painting complete is the reference to the past, present, and the future,” he said and smiled, “and a little bit of a dream.”



© TESS GRUENBERG 2023